Advertising Awards: Protecting the Creative Status Quo

As a strategist, creative director and student of advertising’s impact, I love to see advertising that’s challenging and interesting – when it comes to it’s impact on marketing. But we’re not seeing many impactful ads like that when you look at “award winning work”. And by that I mean agency style awards like Clio’s, New York Festival or Cannes (industry specific awards are usually far more interesting).

Yes, agency award show winners exhibit tremendous creative values – like clever film making, design, or writing. But despite all this art, from the point of view of a marketer, award winning work has become pretty dull, predictable and uninteresting.

How did it come about that all this extraordinary creativity could end up delivering bland marketing impact? How could this happen in a business that never ceases to tell itself how clever it is with myths like “thinking outside the box”?

We can blame, at least in part, the award shows themselves. After all:

The primary value of agency driven award shows is maintaining the creative status quo.

And when advertising is driven to satisfy the status quo it loses its ability to deliver brilliant results.

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